It is like stumbling across an alien manuscript, something unearthly and beautifully rendered, but incomprehensible. Cornelius Cardew’s Treatise has been. Graphic Scores from “Treatise” by Cornelius Cardew Cornelius Cardew ( – ) was a British music composer, who worked as an. Treatise [Score] – Cornelius Cardew PDF [35Mb] ‘Treatise is a graphic musical.

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The work appears to be a collection of abstract markings and shapes that evolve over its pages. Cardew exemplifies a professional musician as making the sound and the improvisers in AMM as being the sound. Cagdew notes is a caedew arranged collection of personal notes made by Cardew during the years he spent writing the score from to Written between andthe composition is made up of a graphic musical score of pages in a visual language invented by the author and completely distant from conventional music notation.

Herbert Bayer’s Small Architectural Projects Herbert Bayer was a prolific graphic designer and typography designer who also worked as a…. They are however to be interpreted in the context of scoer role in the whole.

Treatise handbook, including Bun no. But it is composed according to musical principles and is intended to serve as a score for musicians to play from.

Cornelius Cardew: Treatise

Kotik met Cardew in Warsaw inand they began exchanging scores by mail, including Treatisewhich was a work in progress. Selflessness is included to highlight the performers required concern for the work rather than the documentation of it.

From Wikipedia, the free encyclopedia. Posted by Phillip Henderson. As such, performances of this work will naturally reflect the interpretation of its performer s more than necessarily the score as a traditional composition.

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Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3. Treatise is a long continuous drawing — in form rather similar to a novel. Gregory Battcock New York: Some of treatisw symbols in the score clearly echo western notation.

Treatise (music)

Not so sure I like it much, but, if trsatise honest utterance makes sense” Cardewit certainly has its place here along with Kotik’s squeaking trumpet played with a bassoon reed and bouncing ping pong balls.

Cardew refers to Wittgenstein again and quotes him equating the logical structure of recorded music to the logical structure of a score.

Here is a visual analysis of the composition. The horizontal central bar is the main and most constant orientation; what happens where it ceases or bends? Who can say in what consists the mode of operation of this language? His thoughts resonate with a raw earthiness appropriate to the score. Mainly the Visual Aspects,” Tempo Newer Post Older Post Home. They began using many other instruments and non-instruments, resonant objects made from glass, metal and wood.

However, a simplistic musical expression must also subtly express how it was achieved. This page was last edited on 26 Octoberat Subsequently Cardew embraced Maoism and wholeheartedly repudiated this and other works of his avant-garde period. And if you’re looking for interesting musical questions to ask, you can’t do much better than Cornelius Cardew’s Treatise.

The chapter entitled Treatise: Whenever possible we try to attribute content images, videos, and quotes to their creators and original sources. By using this site, you agree to the Terms of Use and Privacy Policy. Two things running concurrently in haphazard fashion suddenly synchronise autonomously and sling you forcibly into a new phase.

Recurring graphic elements suggest the presence of a structure, but each interpretation of the piece is unique as the performer has to set his own rules when confronted with the notation. In writing this score, Cardew has taken great care to not suggest ways in which it should be read or interpreted by performers of the work.

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Retrieved from ” https: However, some justification is made by the fact that Cardew has the opportunity to publish two scores within this book and the lecture Towards an ethic of improvisation. Compositions by Cornelius Cardew compositions. Although the score allows for absolute interpretive freedom no one interpretation will sound like anotherthe work is not normally played spontaneously, as Cardew had previously suggested that performers devise in advance their own rules and methods for interpreting and performing the work.

All in all, this is a disc to admire and respect more than love – which is fine, because that’s just the way I feel about Treatise. As with many graphic scores I feel that interpretation of the score is best carried out by performance rather than by written critical analysis. Works by Anton Stankowski – German graphic designer and painter Anton Stankowski – worked on the possibility of…. Training is substituted for rehearsal, and a certain moral discipline is an essential part of this training.

From the Depth of Silence: The graphic richness of the score and its resemblance to abstract composition allow the piece to exist also as a purely visual work.

Animated electronic realization of “Treatise” by Shawn Feeney.